perm filename JOBX[RK,LCS] blob
sn#183923 filedate 1975-10-26 generic text, type T, neo UTF8
00100 \\M0BDR40;\M1NGR30;\M2BASI30;\M3CLAR30;
00101 \⊂'40000;\; THIS IS TAB FEATURE NONSENSE!!!!!!!!! PUT IT ANYWHERE AT TOP
00200 \F0\CSTANFORD UNIVERSITY
00300 \CDepartment of Music
01700
01750
01800
01850
01900 \F3Rosemary N. Killam\F1 B.Mus Eastman School of Music (1960)
02000 101C Escondido Village M.A. George Washington U. (1969)
02100 Stanford, CA 94305 D.M.A. Stanford (expected 1976)
02200 \F3Major Advisor: Prof. Wolfgang Kuhn
02300
02400 \F1Primary area: Music Theory
02500 Dissertation title: \F2A Study of Triad Recognition and Confusion
02600 by Stanford Undergraduate Music Majors
02650
02700 \F1Secondary areas: Computer-assisted Instruction, Psychoacoustics, Music History
02800
02900 Performing ability: piano, harpsichord, Renaissance flute
03000 Publications: (most recent) \F2A Computerized System for Research and Instruction in Music,
03200 \F1Lorton, Killam, & Kuhn, Second International Federation for Information Processing
03400 Conference, Sept., 1975, Marseille, France.
03450
03500 \F1Teaching Experience: Music Theory Instructor, Tarleton State U., 1969-1972
05600
05700
05800
05900
06000
06100 \F3Colleen Magee Snyder\F1 B.A. Stanford (1968)
06200 212 O'Keefe M.A. Stanford (1969)
06300 Menlo Park, CA 94025 D.M.A. Stanford (1975)
06400 \F3Major Advisor: Prof. Harold Schmidt\F1
06500
06600 Primary area: Choral and Instrumental Conducting; Choral Literature
06700 Dissertation title: \F2Cantiones Sacrae quinque Vocum cum Basso Continuo (1617)
06800 by Richard Dering, ca. 1580-1630, a Transcription and Analysis
06900
07000 \F1Secondary areas: Woodwinds, Voice, piano, Music Ed.
07100
07200 Performing ability: conducting - choral and instrumental; saxophone, clarinet,
07300 piano, voice (will teach)
07400
07500 Major works conducted in Concert: Vivaldi \F2Gloria; \F1 Mozart \F2Vespers;
07600 \F1several cantatas of J.S. Bach, etc.
07700
07800 Teaching experience: Teaching asst., Stanford Choir, '72-73; Director, Ohlone College
07900 Cantorum, '74-continuing; Teaching asst., Stanford Wind Ensemble,
08000 Spring, '75; Asst. Cond., Livermore-Amador Symphony, '74-continuing.
00300 \F0\CSTANFORD UNIVERSITY
00400 \CDepartment of Music
03850
03875
03887
03900 \F3John Orian Robison\F1 B.A. Oakland University (1971)
04600 \F1605 Guinda M.A. Stanford University (1972)
04700 Palo Alto, CA 94301 D.M.A. Stanford (June 1975)
04900 \F3Major Advisor: Prof. William Mahrt
04950
05000 \F1Primary area: Early Music
05100 Dissertation title: \F2Vienna, Nationalbibliothek Ms. 18810:
05200 A Transcription of the Unpublished Pieces with Comments on
05300 Performance Practices in Early Sixteenth Century Germany.
05400
05500 \F1Secondary areas: Music History, Theory
05550
05600 Performing ability: lute, renaissance winds, baroque oboe, baroque
05700 recorder, modern oboe/English horn
05750
05800 Performances: Organized and directed The Masque of Flowers, Chamber
05900 Music of the High Baroque, and Courtly Music of the Northern
06000 Renaissance. Several other performances.
06100
06200 Teaching experience: Teaching Asst. for Renaissance and Baroque Music and the
06300 Symphony; experience teaching lute, oboe and recorder privately.
06500
06525
06550
06562
06575
06600 \F3Kathleen Ann Chaikin\F1 B.A. Wellesley College (1967)
06700 3197 Alma St. M.A. Stanford University (1968)
06800 Palo Alto, CA 94306 Ph.D. Stanford (1975)
06850 \F3Major Advisor: Prof. Imogene Horsley
06950
07000 \F1Primary area: Baroque (Italian)
07100 Dissertation title: \F2The Solo Soprano Cantatas of Alessandro Stradella
07150
07200 \F1Secondary areas: Renaissance, performance practice, music history, history of vocal music
07300
07400 Performing ability: voice (lyric soprano)
07450
07500 Publications: Correspondant for Current Musicology, 1970-72;
07600 Edition of Motets of Ludovico Viadana, (in press)
07650
07700 Teaching Experience: Teaching Asst. in elementary theory, history of Baroque music.
07900 Director of Wellesley College Madrigals.
00220 \F0\CSTANFORD UNIVERSITY
00280 \CDepartment of Music
00340
00400
08000 \F3Patricia Farris Hennings\F1 B.A. Pomona College (cum laude 1971)
08100 2102 Bowdoin M.A. Stanford University (1972)
08200 Palo Alto, CA 94306 D.M.A. Stanford University (1975)
08300 \F3Major Advisor: Prof. Harold Schmidt
08400
08500 \F1Primary area: Choral Conducting/Choral Literature
08600 Dissertation title: \F2A Performance Edition and Study of Messa di Papa
08700 Marcello del Palestrina ridotta a quattro da Giovanni Francesco
08800 Anerio con il Basso continuo per sonare
08850
08900 \F1Secondary areas: music history and theory
08950
09000 Performing ability: conducting (instrumental/choral), flute (will teach)
09100
09200 Teaching experience: Teaching Asst. Stanford Chorale, 73-74; faculty
09300 member, Menlo College, 73-74, taught chorus & madrigals
09350
09400
09450
09500
09550
09600 \F3Steven Louis Martin \F1B.A. U.C.L.A. (Math. 1967)
09700 954 Van Auken Circle M.A. Stanford (1974)
09800 Palo Alto, Ca. 94303 D.M.A. Stanford (expected '75-'76)
09900 \F3Major Advisor: Prof. Leland Smith\F1
09950
09975 Primary area: Composition, theory, computer applications
10100 Dissertation title: \F2An extended composition of computer-generated sound.
10150
10200 \F1Secondary areas: Contemporary music, acoustics, musicianship
10300
10400 Performances: Several performances of compositions in Bay area.
10450
10500 Teaching Experience: Course assistant to Gyorgy Ligeti, assistant in several other
10600 Stanford Music Department courses, concert hall manager.
00100 \F0\CSTANFORD UNIVERSITY
00166 \CDepartment of Music
00232
00300
00400
10700
10800 \F3Julie Steinberg\F1 B.A. Sarah Lawrence College (1968)
10900 2307 Derby M.A. Stanford (1970)
11000 Berkeley, CA 94705 D.M.A. Stanford (1973)
11100 \F3Major Advisor: Prof. Leland Smith\F1
11200
11300 Primary area: Piano performance
11400 Dissertation title: \F2A Performance study of "Vingt regards sur l'enfant Jesus"
11500 by Olivier Messiaen
11550
11600 \F1Secondary areas: Theory, contemporary music, the Classic period
11700
11800 Performances: Several concerts, solo and chamber music of all eras.
11900
12000 Teaching experience: Diablo Valley College, 1974 (piano and theory),
12100 Sonoma State College, Extension, 1975, (piano)
12200
12300
12400
12500
12600
13400 \F3Harry Bernstein\F1 Ph.D. Stanford (expected June 1976)
13500 \F179 Roosevelt Circle
13600 Palo Alto, CA. 94306
13700 tel. (415) 494-1288 \F3Major Advisor: Professor George Houle
13800
13900 \F1Primary area: Baroque music, History and Performance Practices
14000 Dissertation title: \F2Alessandro Stradella's "Il Barcheggio" (1681): A Performing Edition
14100
14200 \F1Secondary areas: Renaissance and Classic periods, History of Instruments,
14300 Music fundamentals and theory.
14400
14700 Performances: "Music for Cornetti, Trumpets and Sackbuts," Chicago (1972).
14750 Monteverdi Vespers of 1610, Berkeley (1974).
14775 Many other performances.
14800
15000 Teaching experience: Teaching Asst. in music history for non-majors (1975).
15100 Private teaching of trumpet, recorder, ear training, harmony.
12400 \F0\CSTANFORD UNIVERSITY
12500 \CDepartment of Music
12600
12700
12800 \F3Sandra Soderlund\F1 M.M. University of Southern Calif.(1963)
12900 \F181 Denslowe Drive D.M.A. Stanford (expected June 1976)
13000 San Francisco, CA. 94132 \F3Major Advisor: Professor Herbert Nanney
13100
13200 \F1Primary area: Performance Practice, Keyboard Instruments
13300 Dissertation title: \F2Organ Technique: A Historical Approach.
13400
13500 \F1Secondary areas: Harpsichord and Early Piano, Music History
13600
13700 Performing ability: Concert organist for many years; performances on Early and
13800 Modern Piano; currently studying Harpsichord.
13900
14000 Performances: Many concerts in several locations, including 6 programs at Rice University
14100 (1964-66) and recital at Schoenberg-Ives Centennial, Berkeley (1974).
14200
14300 Work and teaching experience: Several church organ positions; Chairman, Dept. of Music,
14400 Simpson College, San Francisco, (also taught history, theory and
14500 keyboard); organ teaching at San Francisco State University
14600 (1970,1974) and at Sam Houston State University (1965-6)
14700
14800
14900
15000
15100
15200 \F3Anne L. Witherell\F1 B.M. Eastman School of Music (1971)
15300 \F1458 Channing St. M.A. Stanford (1973)
15400 Palo Alto, CA. 94301 Ph.D. Stanford (expected June 1976)
15500 \F3Major Advisor: Professor George Houle
15600
15700 \F1Primary area: Musicology - Baroque
15800 Dissertation title: \F2Guillaume Louis Pecourt's 1700 "Recueil de Dances"
15900
16000 \F1Secondary areas: Performance practice, Renaissance and Baroque dance.
16100
16200 Performing ability: Trombone, harpsichord, dance.
16300
16400 Performances: Carmel Bach Festival (sackbut), Northern California Renaissance
16500 Faire (dancer, choreographer), and many others.
16600
16700 Work and teaching experience: Sibley Music Library, Rochester, N.Y.; Stanford Music Library
16800 Stanford Teaching Asst. (performance practice, music of Mozart,
16900 asst. to Wendy Hilton in summer dance institutes.)
17200 \F0\CSTANFORD UNIVERSITY
17300 \CDepartment of Music
17400
17500 \F3Leonard R. Rumery\F1 D.M.A. Stanford University (expected June 1976)
17600 \F11950 Cooley Ave., 1101
17700 Palo Alto, CA. 94303
17800 \F3Major Advisor: Professor William Ramsey
17900
18000 \F1Primary area: Choral conducting
18100 Final Project title: \F2A Performance Study of Francisco Guerrero's "Canciones y Villanescas
18200 Espirituales" (1589)
18300
18400 \F1Secondary areas: Performance practice, Organology, English Baroque, Russian Music.
18500
18600 Directorships: UCLA Chorus II; Westwood Collegium Antiquum; Westwood Chamber Orchestra;
18700 First Congregational Church of Glendale Choir.
18800
18900 Assistantships: UCLA Madrigal Singers, Chorus I, Collegium Musicum;
19000 Stanford University Chorus and Chorale.
19100 Many unpublished editions and arrangements.
19200
19300
19400
19500 \F3Douglas Alton Smith\F1 M.A. Stanford University (German 1967)
19600 \F12171A Princeton St. M.A. Stanford (Music 1974)
19700 Palo Alto, CA. 94306 Ph.D. Stanford (expected June 1976)
19800 tel. (415) 322-9308 \F3Major Advisor: Professor Albert Cohen
19900
20000 \F1Primary area: Late Baroque
20100 Dissertation title: \F2Sylvius Leopold Weiss and the German Baroque Lute Sonata
20200
20300 \F1Secondary areas: 16th-18th century performance practices.
20400
20500 Performing ability: Lute, baroque lute and archlute. Supervise collegium.
20600
20700 Publications: "Baron and Weiss Contra Mattheson: In Defense of the Lute," Journal
20800 of the Lute Society of America, Vol. VI (1973); English translation and
20900 edition of E. G. Baron's "Untersuchung des Instruments der Lauten",
21000 (Nuremberg, 1727), to be in Instrumenta Antiqua, early 1976;
21100 several other reviews, editions and translations.
21200
21300 Teaching experience: 1966-69 Teaching asst. in German, Univ. of Washington; 1970-71 Lecturer
21400 (full time) in German and Guitar, Univ. of Puget Sound; 1973-75 Instructor of guitar and
21500 recorder classes, West Valley College and Foothill College; 1973-75 Teaching fellow in
21600 German, Stanford ; 1974-75 Course asst. in music, Stanford
21700 Held Fulbright and Whiting Fellowships. Presently Associate Editor of the
21800 Journal of the Lute Society of America.
22100 \F0\CSTANFORD UNIVERSITY
22200 \CDepartment of Music
22300
22400 \F3Charles P. Wolterink\F1 B.A. Michigan State University (1969)
22500 \F1472 Margarita Ave. M.A. Stanford University (1971)
22600 Palo Alto, CA. 94306 Ph.D. Stanford (expected 1976)
22700 \F3Major Advisor: Professor Leland Smith
22800
22900 \F1Primary area: Twentieth-century theory.
23000 Dissertation title: \F2Harmonic Structure and Organization in the
23100 Serial Works of Igor Stravinsky, 1952-1966
23200
23300 \F1Secondary areas: Composition, general music theory.
23400
23500 Performing ability: Piano
23600
23700 Compositions: Several chamber and vocal works publicly performed at Stanford.
23800
23900 Teaching experience: Stanford University: taught Elements of Music, 1973-4;
24000 teaching asst. for Elements of Music, 1970-1, Introduction
24100 to Music, 1971, and Twentieth-century Music, 1972, 1975.
24200 Menlo College: Instructor in Piano (individual), 1974→.
24300 Private teaching of Piano, 1971→.
24400
24500 Professional affiliations: American Musicology Society, Phi Beta Kappa, Pi Kappa Lambda
24600 Corresponding editor, Current Musicology
24700
24800
24900
25000 \F3Clifford A. Cranna\F1 Ph.D. Stanford (expected August 1976)
25100 \F1285C College Ave.
25200 Palo Alto, CA. 94306
25300 tel. (415) 327-9195 \F3Major Advisor: Professor Imogene Horsley
25400
25500 \F1Primary area: Renaissance-Baroque History and Theory
25600 Dissertation title: \F2Adriano Banchieri's "Cartella Musicale" (1614): Translation and Commentary
25700
25800 \F1Secondary areas: Early choral music, choral conducting, general music theory.
25900
26000 Performing ability: Choral conducting
26100
26200 Teaching experience: Stanford University: teaching asst., Music of Beethoven, 1973, and
26300 Romantic Piano Music, 1975. Chabot College, Hayward, CA: Adult Ed. Instructor in
26400 History of Church Music (winter 1976). Student Director, Male Chorus, Univ. of
26500 North Dakota, 1968-9. Theory tutor and lab instructor Univ. of N. Dak. 1966-8.
26600 Has held several choir directorships.
26700
26800 Awards: Woodrow Wilson Fellowship Designate (1969); Fulbright Award, Spanish
26900 Government (1969) (declined due to military obligation.)
00200 \F0\CSTANFORD UNIVERSITY
00300 \CDepartment of Music
01700
01750
01800
01850
01900 \F3Robert G. Luoma\F1 M.A. University of Oregon (1953)
02000 \F118 Fareway Drive D.M.A. Stanford (1967)
02100 Northfield, Minn. 55057
02150 \F3Major Advisor: Prof. Harold Schmidt
02200
02300 \F1Primary areas: Choral conducting, music history
02400 Final project title: \F2Francesco Durante's "Oratio Jeremiae Prophetae," A Study in the
02450 Relationship between Style, Structure and Performance
02500
02600 \F1Secondary areas: Performance practice, music theory, music education.
02700
03100 Publications: "The Function of Dynamics in the Music of Haydn, Mozart and Beethoven:
03200 Some Implications for the Performer." College Music Symposium (spr. 1976)
03300 "Variant Dynamic Markings in Music: Some Examples from Mozart and Beethoven,"
03350 The Music Review (Aug. 1973). Several other articles.
03375
03400 Teaching experience: Stanford University, Teaching Asst. (1964-65);
03500 Eastman School of Music, Asst. Prof., Music History survey, Baroque era,
03550 Classic era (1967-8).
03600 Carelton College, Asst. Prof., many history classes, Fugue,
03700 Music Ed., etc. (1968-74)
04400
04450
04500
04600
04700
04800 \F3Elizabeth Hays\F1 Ph.D Stanford (expected June 1976)
04900 \F1661 Cragmont Ave.
05000 Berkeley, CA. 94708
05100 \F3Major Advisor: Prof. Imogene Horsley
05200
05300 \F1Primary area: Music history
05600
05700 \F1Secondary areas: Performance practice, harpsichord
05800
06600 Contact Stanford Placement Office for detailed information.