perm filename JOBX[RK,LCS] blob sn#183923 filedate 1975-10-26 generic text, type T, neo UTF8
00100	\\M0BDR40;\M1NGR30;\M2BASI30;\M3CLAR30;
00101	\⊂'40000;\;  THIS IS TAB FEATURE NONSENSE!!!!!!!!!  PUT IT ANYWHERE AT TOP
00200	\F0\CSTANFORD UNIVERSITY
00300	\CDepartment of Music
01700	
01750	
01800	
01850	
01900	\F3Rosemary N. Killam\F1			B.Mus Eastman School of Music (1960)
02000	101C Escondido Village				M.A. George Washington U. (1969)
02100	Stanford, CA 94305				D.M.A. Stanford (expected 1976)
02200					\F3Major Advisor:  Prof. Wolfgang Kuhn
02300	
02400	\F1Primary area:  Music Theory
02500	    Dissertation title:	\F2A Study of Triad Recognition and Confusion
02600				by Stanford Undergraduate Music Majors  
02650	
02700	\F1Secondary areas: Computer-assisted Instruction, Psychoacoustics, Music History
02800	
02900	Performing ability:  piano, harpsichord, Renaissance flute
03000	Publications:  (most recent) \F2A Computerized System for Research and Instruction in Music,
03200	    \F1Lorton, Killam, & Kuhn, Second International Federation for Information Processing
03400	    Conference, Sept., 1975, Marseille, France.
03450	
03500	\F1Teaching Experience:  Music Theory Instructor, Tarleton State U., 1969-1972
05600	
05700	
05800	
05900	
06000	
06100	\F3Colleen Magee Snyder\F1			B.A. Stanford (1968)
06200	212 O'Keefe					M.A. Stanford (1969)
06300	Menlo Park, CA  94025				D.M.A. Stanford (1975)
06400					\F3Major Advisor:  Prof. Harold Schmidt\F1
06500	
06600	Primary area:	Choral and Instrumental Conducting; Choral Literature
06700	   Dissertation title:	\F2Cantiones Sacrae quinque Vocum cum Basso Continuo (1617)
06800				by Richard Dering, ca. 1580-1630, a Transcription and Analysis
06900	
07000	\F1Secondary areas:  Woodwinds, Voice, piano, Music Ed.
07100	
07200	Performing ability:	conducting - choral and instrumental; saxophone, clarinet,
07300				piano, voice (will teach)
07400	
07500	Major works conducted in Concert:	Vivaldi \F2Gloria; \F1 Mozart \F2Vespers;
07600						\F1several cantatas of J.S. Bach, etc.
07700	
07800	Teaching experience:	Teaching asst., Stanford Choir, '72-73;  Director, Ohlone College
07900				Cantorum, '74-continuing;  Teaching asst., Stanford Wind Ensemble,
08000				Spring, '75;  Asst. Cond., Livermore-Amador Symphony, '74-continuing.
     

00300	\F0\CSTANFORD UNIVERSITY
00400	\CDepartment of Music
03850	
03875	
03887	
03900	\F3John Orian Robison\F1              		B.A. Oakland University (1971)
04600	\F1605 Guinda					M.A. Stanford University (1972)
04700	Palo Alto, CA 94301				D.M.A. Stanford (June 1975)
04900					\F3Major Advisor:  Prof. William Mahrt
04950	
05000	\F1Primary area:  Early Music
05100	   Dissertation title:	\F2Vienna, Nationalbibliothek Ms. 18810:
05200				A Transcription of the Unpublished Pieces with Comments on
05300				Performance Practices in Early Sixteenth Century Germany.
05400	
05500	\F1Secondary areas:  Music History, Theory
05550	
05600	Performing ability:	lute, renaissance winds, baroque oboe, baroque
05700				recorder, modern oboe/English horn
05750	
05800	Performances:	Organized and directed The Masque of Flowers, Chamber
05900			Music of the High Baroque, and Courtly Music of the Northern
06000			Renaissance.  Several other performances.
06100	
06200	Teaching experience:	Teaching Asst. for Renaissance and Baroque Music and the 
06300				Symphony; experience teaching lute, oboe and recorder privately.
06500	
06525	
06550	
06562	
06575	
06600	\F3Kathleen Ann Chaikin\F1			B.A. Wellesley College (1967)
06700	3197 Alma St.     				M.A. Stanford University (1968)
06800	Palo Alto, CA 94306				Ph.D. Stanford (1975)
06850					\F3Major Advisor:  Prof. Imogene Horsley
06950	
07000	\F1Primary area:  Baroque (Italian)
07100	    Dissertation title:	\F2The Solo Soprano Cantatas of Alessandro Stradella
07150	
07200	\F1Secondary areas:  Renaissance, performance practice, music history, history of vocal music
07300	
07400	Performing ability:  voice (lyric soprano)
07450	
07500	Publications:	Correspondant for Current Musicology, 1970-72;
07600			Edition of Motets of Ludovico Viadana, (in press)
07650	
07700	Teaching Experience:  Teaching Asst. in elementary theory, history of Baroque music.
07900				Director of Wellesley College Madrigals.
     

00220	\F0\CSTANFORD UNIVERSITY
00280	\CDepartment of Music
00340	
00400	
08000	\F3Patricia Farris Hennings\F1			B.A. Pomona College (cum laude 1971)
08100	2102 Bowdoin					M.A. Stanford University (1972)
08200	Palo Alto, CA 94306				D.M.A. Stanford University (1975)
08300					\F3Major Advisor:  Prof. Harold Schmidt
08400	
08500	\F1Primary area:  Choral Conducting/Choral Literature
08600	   Dissertation title:	\F2A Performance Edition and Study of Messa di Papa
08700				Marcello del Palestrina ridotta a quattro da Giovanni Francesco
08800				Anerio con il Basso continuo per sonare
08850	
08900	\F1Secondary areas:  music history and theory
08950	
09000	Performing ability:  conducting (instrumental/choral), flute  (will teach)
09100	
09200	Teaching experience:	Teaching Asst. Stanford Chorale, 73-74; faculty
09300				member, Menlo College, 73-74, taught chorus & madrigals
09350	
09400	
09450	
09500	
09550	
09600	\F3Steven Louis Martin				\F1B.A. U.C.L.A. (Math. 1967)
09700	954 Van Auken Circle				M.A. Stanford (1974)
09800	Palo Alto, Ca.  94303				D.M.A. Stanford (expected '75-'76)
09900					\F3Major Advisor:  Prof. Leland Smith\F1
09950	
09975	Primary area:	Composition, theory, computer applications
10100	   Dissertation title:	\F2An extended composition of computer-generated sound.
10150	
10200	\F1Secondary areas:   Contemporary music, acoustics, musicianship
10300	
10400	Performances:    Several performances of compositions in Bay area.
10450	
10500	Teaching Experience:	Course assistant to Gyorgy Ligeti, assistant in several other
10600				Stanford Music Department courses, concert hall manager.
     

00100	\F0\CSTANFORD UNIVERSITY
00166	\CDepartment of Music
00232	
00300	
00400	
10700	
10800	\F3Julie Steinberg\F1				B.A. Sarah Lawrence College (1968)
10900	2307 Derby					M.A. Stanford (1970)
11000	Berkeley, CA  94705				D.M.A. Stanford (1973)
11100					\F3Major Advisor:  Prof. Leland Smith\F1
11200	
11300	Primary area:	Piano performance
11400	   Dissertation title:	\F2A Performance study of "Vingt regards sur l'enfant Jesus"
11500				by Olivier Messiaen
11550	
11600	\F1Secondary areas:  Theory, contemporary music, the Classic period
11700	
11800	Performances:	Several concerts, solo and chamber music of all eras.
11900	
12000	Teaching experience:	Diablo Valley College, 1974 (piano and theory),
12100				Sonoma State College, Extension, 1975, (piano)
12200	
12300	
12400	
12500	
12600	
13400	\F3Harry Bernstein\F1				Ph.D. Stanford (expected June 1976)
13500	\F179 Roosevelt Circle
13600	Palo Alto, CA. 94306
13700	tel. (415) 494-1288			\F3Major Advisor: Professor George Houle
13800	
13900	\F1Primary area:    Baroque music, History and Performance Practices
14000	   Dissertation title:   \F2Alessandro Stradella's "Il Barcheggio" (1681):  A Performing Edition
14100	
14200	\F1Secondary areas:  Renaissance and Classic periods, History of Instruments,
14300				Music fundamentals and theory.
14400	
14700	Performances:	"Music for Cornetti, Trumpets and Sackbuts," Chicago (1972).
14750			Monteverdi Vespers of 1610, Berkeley (1974).
14775			Many other performances.
14800	
15000	Teaching experience:  Teaching Asst. in music history for non-majors (1975). 
15100				Private teaching of trumpet, recorder, ear training, harmony. 
     

12400	\F0\CSTANFORD UNIVERSITY
12500	\CDepartment of Music
12600	
12700	
12800	\F3Sandra Soderlund\F1				M.M. University of Southern Calif.(1963)
12900	\F181 Denslowe Drive				D.M.A. Stanford (expected June 1976)
13000	San Francisco, CA. 94132 	   \F3Major Advisor: Professor Herbert Nanney
13100	
13200	\F1Primary area:    Performance Practice, Keyboard Instruments
13300	   Dissertation title:   \F2Organ Technique: A Historical Approach.
13400	
13500	\F1Secondary areas:  Harpsichord and Early Piano, Music History
13600	
13700	Performing ability:	Concert organist for many years;  performances on Early and
13800				Modern Piano;  currently studying Harpsichord.
13900	
14000	Performances:	Many concerts in several locations, including 6 programs at Rice University
14100			(1964-66) and recital at Schoenberg-Ives Centennial, Berkeley (1974).
14200	
14300	Work and teaching experience:  Several church organ positions;  Chairman, Dept. of Music,
14400				Simpson College, San Francisco, (also taught history, theory and
14500				keyboard);  organ teaching at San Francisco State University
14600				(1970,1974) and at Sam Houston State University (1965-6)
14700	
14800	
14900	
15000	
15100	
15200	\F3Anne L. Witherell\F1				B.M. Eastman School of Music (1971)
15300	\F1458 Channing St. 				M.A. Stanford (1973)
15400	Palo Alto, CA. 94301				Ph.D. Stanford (expected June 1976)
15500						\F3Major Advisor: Professor George Houle
15600	
15700	\F1Primary area:    Musicology - Baroque
15800	   Dissertation title:   \F2Guillaume Louis Pecourt's 1700 "Recueil de Dances"
15900	
16000	\F1Secondary areas:  Performance practice, Renaissance and Baroque dance.
16100	
16200	Performing ability:	Trombone, harpsichord, dance.
16300	
16400	Performances:	Carmel Bach Festival (sackbut), Northern California Renaissance
16500			Faire (dancer, choreographer), and many others.
16600	
16700	Work and teaching experience:  Sibley Music Library, Rochester, N.Y.;  Stanford Music Library
16800				Stanford Teaching Asst. (performance practice, music of Mozart,
16900				asst. to Wendy Hilton in summer dance institutes.)
     

17200	\F0\CSTANFORD UNIVERSITY
17300	\CDepartment of Music
17400	
17500	\F3Leonard R. Rumery\F1			D.M.A. Stanford University (expected June 1976)
17600	\F11950 Cooley Ave., 1101
17700	Palo Alto, CA. 94303
17800					\F3Major Advisor: Professor William Ramsey
17900	
18000	\F1Primary area:    Choral conducting   
18100	   Final Project title:   \F2A Performance Study of Francisco Guerrero's "Canciones y Villanescas
18200						Espirituales" (1589)
18300	
18400	\F1Secondary areas:  Performance practice, Organology, English Baroque, Russian Music.
18500	
18600	Directorships:	UCLA Chorus II;  Westwood Collegium Antiquum;  Westwood Chamber Orchestra;
18700			First Congregational Church of Glendale Choir.
18800	
18900	Assistantships:  UCLA Madrigal Singers, Chorus I, Collegium Musicum;
19000			Stanford University Chorus and Chorale.
19100	Many unpublished editions and arrangements.
19200	
19300	
19400	
19500	\F3Douglas Alton Smith\F1			M.A. Stanford University (German 1967)
19600	\F12171A Princeton St.				M.A. Stanford (Music 1974)
19700	Palo Alto, CA. 94306				Ph.D. Stanford (expected June 1976)
19800	tel. (415) 322-9308			\F3Major Advisor: Professor Albert Cohen
19900	
20000	\F1Primary area:    Late Baroque
20100	   Dissertation title:   \F2Sylvius Leopold Weiss and the German Baroque Lute Sonata
20200	
20300	\F1Secondary areas:  16th-18th century performance practices.
20400	
20500	Performing ability:   Lute, baroque lute and archlute.  Supervise collegium.
20600	
20700	Publications:	"Baron and Weiss Contra Mattheson: In Defense of the Lute,"  Journal
20800			of the Lute Society of America, Vol. VI (1973);  English translation and
20900			edition of E. G. Baron's "Untersuchung des Instruments der Lauten",
21000			(Nuremberg, 1727), to be in Instrumenta Antiqua, early 1976;
21100			several other reviews, editions and translations.
21200	
21300	Teaching experience:  1966-69 Teaching asst. in German, Univ. of Washington;  1970-71 Lecturer
21400		(full time) in German and Guitar, Univ. of Puget Sound;  1973-75 Instructor of guitar and
21500		recorder classes, West Valley College and Foothill College;  1973-75 Teaching fellow in 
21600		German, Stanford ;  1974-75 Course asst. in music, Stanford
21700	Held Fulbright and Whiting Fellowships.  Presently Associate Editor of the
21800	Journal of the Lute Society of America.
     

22100	\F0\CSTANFORD UNIVERSITY
22200	\CDepartment of Music
22300	
22400	\F3Charles P. Wolterink\F1			B.A. Michigan State University (1969)
22500	\F1472 Margarita Ave.				M.A. Stanford University (1971)
22600	Palo Alto, CA. 94306				Ph.D. Stanford (expected 1976)
22700						\F3Major Advisor: Professor Leland Smith
22800	
22900	\F1Primary area:    Twentieth-century theory.
23000	   Dissertation title:   \F2Harmonic Structure and Organization in the
23100				Serial Works of Igor Stravinsky, 1952-1966
23200	
23300	\F1Secondary areas:  Composition, general music theory.
23400	
23500	Performing ability:	Piano
23600	
23700	Compositions:	Several chamber and vocal works publicly performed at Stanford.
23800	
23900	Teaching experience:  Stanford University:  taught Elements of Music, 1973-4;
24000				teaching asst. for Elements of Music, 1970-1, Introduction
24100				to Music, 1971, and Twentieth-century Music, 1972, 1975.
24200				Menlo College: Instructor in Piano (individual), 1974→.
24300				Private teaching of Piano, 1971→.
24400	
24500	Professional affiliations: American Musicology Society,  Phi Beta Kappa, Pi Kappa Lambda
24600	Corresponding editor, Current Musicology
24700	
24800	
24900	
25000	\F3Clifford A. Cranna\F1			Ph.D. Stanford (expected August 1976)
25100	\F1285C College Ave.
25200	Palo Alto, CA. 94306
25300	tel. (415) 327-9195		\F3Major Advisor: Professor Imogene Horsley
25400	
25500	\F1Primary area:    Renaissance-Baroque History and Theory
25600	   Dissertation title:   \F2Adriano Banchieri's "Cartella Musicale" (1614):  Translation and Commentary
25700	
25800	\F1Secondary areas:  Early choral music, choral conducting, general music theory.
25900	
26000	Performing ability:	Choral conducting
26100	
26200	Teaching experience:  Stanford University:  teaching asst., Music of Beethoven, 1973, and
26300		Romantic Piano Music, 1975.  Chabot College, Hayward, CA: Adult Ed. Instructor in
26400		History of Church Music (winter 1976).  Student Director, Male Chorus, Univ. of
26500		North Dakota, 1968-9.  Theory tutor and lab instructor Univ. of N. Dak. 1966-8.
26600		Has held several choir directorships.
26700	
26800	Awards:  Woodrow Wilson Fellowship Designate (1969);  Fulbright Award, Spanish
26900		Government (1969) (declined due to military obligation.)
     

00200	\F0\CSTANFORD UNIVERSITY
00300	\CDepartment of Music
01700	
01750	
01800	
01850	
01900	\F3Robert G. Luoma\F1				M.A. University of Oregon (1953)
02000	\F118 Fareway Drive 				D.M.A. Stanford (1967)
02100	Northfield, Minn. 55057	
02150						\F3Major Advisor: Prof. Harold Schmidt
02200	
02300	\F1Primary areas:    Choral conducting, music history
02400	   Final project title:  \F2Francesco Durante's "Oratio Jeremiae Prophetae," A Study in the
02450				   Relationship between Style, Structure and Performance
02500	
02600	\F1Secondary areas:  Performance practice, music theory, music education.
02700	
03100	Publications:	"The Function of Dynamics in the Music of Haydn, Mozart and Beethoven:
03200		Some Implications for the Performer."  College Music Symposium (spr. 1976)
03300		"Variant Dynamic Markings in Music: Some Examples from Mozart and Beethoven,"
03350		The Music Review (Aug. 1973).  Several other articles.
03375	
03400	Teaching experience:  Stanford University, Teaching Asst. (1964-65);  
03500		Eastman School of Music, Asst. Prof., Music History survey, Baroque era, 
03550		Classic era (1967-8).
03600		Carelton College, Asst. Prof., many history classes, Fugue, 
03700		Music Ed., etc. (1968-74)
04400	
04450	
04500	
04600	
04700	
04800	\F3Elizabeth Hays\F1				Ph.D Stanford (expected June 1976)
04900	\F1661 Cragmont Ave.
05000	Berkeley, CA.  94708
05100						\F3Major Advisor: Prof. Imogene Horsley
05200	
05300	\F1Primary area:    Music history
05600	
05700	\F1Secondary areas:  Performance practice, harpsichord
05800	
06600	Contact Stanford Placement Office for detailed information.